The Meaning of Awen (BMDO DP M1W1)

As I am starting to consider Awen while pursuing the Black Mountain Druid Order (BMDO) Dedicant Path (DP), I have been considering the Meaning of Awen here in my first week.

AwenAwen is a concept often represented as /|\ and loosely means divine inspiration or that which takes one’s breath away. I like to think about it as similar to The Force in Star Wars or Eywa in Avatar, something that is akin to inspiration or energy associated with an Aha! moment (cf. the resolution of a liminal period). Likewise, the life-force of awen can even be considered as a point of balance, something not always common in my life, or a sense of harmony in life and in the natural world.

Considering the questions to ponder for this first week:

1. What places in nature inspire you?
2. Do you have a favorite outdoor place? Why?
3. How does nature inspire you??

There are two places in nature that particularly inspire me. The first is a certain area of vines / trees that I regularly pass here in Manhattan that shelter a group of small birds. Walking by these early in the morning or just before sunset in the evening, the birds chatter away, coexisting with us humans while living their lives singing for joy. It always reminds me of the nature-oriented poetry of Walt Whitman, especially some of the lines in his Calamus poems where he vibrantly links humanity and nature into a seemless continuity. The other location that inspires me is a lines of giant pine trees in an upstate community I often visit, and this pine row offers a shelter along one side where the branches are high enough that one can walk 100 feet or so under them. This reminds me of a natural cloister walk, one that is living and breathing.

Hmm, come to think about it, both of these locations involve shelter or safety and trees. I never made that connection before . . . .

Nature inspires me with an energy; the birds that sing out and the trees that grow, all doing what they have always done with or without human meddling in nature (while we are still very part of nature itself, something to never forget). Nature always finds a way to continue, and I am inspired, as with awen, by the complexities of nature and how it is so very beyond me.

While seemingly beyond me, I am always linked with nature, never too far away . . . even when I am not paying attention to it.

The BMDO is an interesting new path for me to follow, and while I will not make any assumptions or projections for where it will lead, journeys begin with but a single step.

Black Mountain Druid Order (BMDO) Dedicant Path

BMDO_LogoAs I want to focus a bit more on my druid studies than I did in 2012, I decided to join the Black Mountain Druid Order (BMDO). As an independent druid organization physically based in South Carolina, it has a vibrant and growing online community that has attracted me in its focus on discussion around druidry with a practical application to life. In my limited experience, it has a distinctly American air about it in that it focuses on druidry in life and environmental / social concerns without constant references to ancient Celtic reconstructionist stories. I like the Celts, but their lives and stories lost in myth do not exactly speak to my experiences living in New York City.

While I am a solitary druid practitioner, I like ongoing, current, and frequent discussions about druidry. Much of this need is met from my involvement in The Druid Network, though I find an American perspective a nice balance to what I have been experiencing recently. To this point, BMDO is still relatively new for me, so I have decided to begin their Dedicant Path.

I am starting these studies with The Meaning of Awen . . . .

Reflecting on a Solitary Yule Ritual

yulelogWhile I talked about what I did the evening of Yule, I have not yet mentioned what I did specifically for Yule itself.

As it was a rainy and stormy morning, I could not go outside to commune with nature as I wanted lest I become too distracted with the weather, so instead I celebrated in my apartment, standing in front of an antique French wooden table with a 3-wicked candle burning on top of it. I was home alone and engaged in a combination of 2 rituals — the first one arranged by Teo Bishop at the Solitary Druid Fellowship and the second one an internally created ritual shared among a small group of OBOD folk who are experimenting with creating a new grove in Manhattan. Doing more with druidry from a distance on discussion boards than in ritual, I decided to do them both.

I will start with the OBOD one first, as I have had several years interaction with OBOD. While I never seem to be able to make it to the East Coast Gathering, I am familiar with OBOD rituals and sensibilities. I breathed deeply, saluted the four quarters, and with words of stag and hawk and fire and water, I performed the rather simple ritual, made even more that way as it was not initially intended for individual use, but with a small community. I did minor adaptations, and it still felt strangely familiar though I spoke all the parts. As I celebrate all of the druid festivals as a solitary druid, this is what I expected–do it as written insofar as it feels comfortable, and leave the rest. I like that sensibility. However, their rituals and such are rather flexible, so I adapted as I went along to feel comfortable with the words and focus on why I was saying them.

I then performed the Solitary Druid Fellowship one, a newly written ritual written by Teo (who I fondly admire for his energy and intentions) with its stated purpose of using this individually, all while knowing others, elsewhere, are doing the same thing. As the website declares, The Solitary Druid Fellowship is an experiment in Pagan liturgy, and an exercise of congregation in solitude. The notion of a shared liturgy is developed a bit, though this is rather based on the Outline of Worship of ADF, Our Own Druidry. That was probably my biggest challenge, in that ADF is a druid group that has formalized rituals and beliefs, very much like a druid church, and while adaptation is encouraged a bit, it had a feeling of Catholic Druidry to me. While this is certainly related to my baggage with Catholicism, I found the stylized ritual similar enough to mass (which is mainly how I defined the term liturgy for many years) that by the time I got to the Opening the Gates and Seeking the Omen, it stopped feeling of peaceful ritual and started feeling of an odd assembly of . . . formalized oddness. Granted, this was probably due to my baggage coming up, but it had too much of a sense of calling a deity (choose whichever one you want) and then casting some divination to try to determine how the offering was received and what to do next. Again, with my personal baggage, this seemed the same as a Catholic mass, though with switching out the names of deities and bringing in some divination (again, not much different). While I read the ritual a few times before I did it, it still felt . . . odd to me. TO switch one god for several and then to do what in many ways was the same thing just did not feel well for me. Again, my baggage, but that is what I am trying to process by sharing it here.

As all of this was a bit much for a non-ADF member, I just felt . . . odd. It did not speak to me, and while I was fortunate that the end of the ritual happened at the time when I had to move on to leaving for the office, it left me a bit introspective as to what it all means for me and what I should do with it moving forward. I am eagerly reading what others thought about the Solitary Druid Yule Ritual, as when I am uncomfortable, sometimes that means there is the most room for growth.

While I am not interested in joining or otherwise following ADF druidry, and after this reflection on it I may not be welcomed to engage in it anyway, it was a useful experience that, in the process of making me uncomfortable, demonstrates how much growth I need to let go of my baggage. The OBOD one felt a bit more like me, though again it was tailored for a group and I am an individual working alone, something that the Solitary Druid Fellowship focuses on exclusively.

On to Imbolc!

Make Music New York: Pilgrimage


Last Friday evening, Yule itself to be clear, I participated the Make Music New York Pilgrimage performance. This was an informal Early Music performance, led by Kent Tritle, that focused around a walk from the Park Avenue Methodist Church to the Cathedral of St John the Divine, right through Central Park, while singing medieval melodies originally sung along the pilgrimage route Camino de Santiago de Compostela.

This involved our singing a repetition of these 8 songs:

From the Cantigas de Santa Maria of Alfonso X El Sabio (1221–1284)
Santa Maria, strela do dia” (100) [pdf]
A Santa Maria dadas” (140) [pdf]
Como poden per sas culpas” (166) [pdf]
Quen a omagen da Virgen” (353) [pdf]

From the Llibre Vermell de Montserrat (14th century)
“Mariam, Matrem Virginem, Attolite” [pdf]
“Stella Splendens”
“Laudemus Virginem”
“Splendens Ceptigera”

This in-total 3 hour event began quite nicely, though after losing my place more times than I can count (due in part to the printed music I had was missing the backs or second pages), I finally drifted nearer the back of the walking parade and looked around me at the park in the evening, listening to the haunting melodies. I cannot imagine what it must have been like 800 years ago to walk the hundreds of miles along this pilgrimage route, though listening to the ancient Latin while walking with only personal flashlight through Central Park, I felt taken out of time, repeating an action that must have been done again and again by people for a variety of reasons and under all sorts of situations.

For my reason, I love Early Music. I love chanting it and trying to sing it. I love Central Park. I was captivated by the period of Yule, and what it meant to reach across time and sing these same melodies, walking through Central Park, my park, with a group of others, not a one of whom I knew, all for different reasons. I did feel a sense of peace, looking around me at the natural setting in the park, listening, breathing deeply. That the words in Latin of the songs I sang were of a faith that no longer spoke to me did not matter, it was a sharing an ancient tradition in a new way, looking at something familiar form a new frame of reference. This is what it means to be a Druid today, and there is no better time to realize this than on Yule.

I hope to be able to do this again . . .

The Druid Network: A Perennial Course in Living Druidry

A Perennial Course in Living DruidryI have been following A Perennial Course in Living Druidry by Emma Restall Orr over the past year as a private devotional, and though I have been discussing it with others along the same path on The Druid Network‘s internal Online Social Community, I have been doing so in a rather private and personal way. As I have been using my Twitter account a little more in December, I decided I will start to share more of work here. As I have a much more prolific Twitter and social presence in my academic and professional accounts, this one has been a little neglected.

No better time than the present to begin to attend to other parts of my personality, ehh? What better time than the present?

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